DIG://SESSION_20260816_1935

> "thank you kind sir" — wholewheattoast11

> "Four Tet does it again. Consistently excellent across the board." — michael byars

> "YOU WANT PURE UNDILUTED ACID SLABS LOOK KNOW FURTHER POSTHUMAN DEFINITELY SEPARATE THE NORMAL...THIS IS ONLY 4 THE HEADSTRONG...FAV TRACK =BREAKER...ALTHOUGH THEY ALL HAVE THAT POST FACTOR...THANK U FOR KEEPING THE TRUE ACID SOUND ALIIVE🙂❤" — yippie123

> "Buzzing 24 7 stands head and shoulders above the rest, which is saying something." — Hannibal Selecta!

> "this is the techno" — i.rons

> "MIII MIIII MIII" — Terry Cotta

> "Why Bother?’s Beyond Step One feels like discovering a lost transmission from some filthy basement where punk, garage rock and horror collided. I hear the nervous, twitchy energy of Lost Sounds mixed with the sleazy, nocturnal weirdness of The Cramps. It’s raw, strange and wonderfully unpolished. No" — Chopper Dave

> "The midwest has always done punk the best, and this album is like the spirit of post-punk 79 meets the experimentation of the pre-grunge left-of-the-dial alternative rock of the late 80s/early 90s. I don't review well. This is good. Buy it." — DAMIENHEARSE

> "I want to live in this sound. Light and effortless, like floatily wandering through familiar neighbourhoods the morning after a sleepless night, everything shimmering with newfound significance." — ghosttropics

> "harvest my swag" — kakenhi

> "absolutely incredible comp every single track is solid gold BEST LABEL RAHHH" — mesityl

> "KAS's Vespertine moment: an album where an artist already known for sensual and sensuous music leans in and focuses explicitly on intimacy, touch, and (in this case,) dirtbiking." — Tom Colquhoun

> "I cannot stop listening to this incredible album. It’s complex and sonically rich like Smith’s earlier album, but it is less jarring in its transitions than her previous full length. Amazing programming and arrangments, captivating melodies, weird vocal treatments and a kind of concept about relatio" — vstephenfan

> "Like water drops splashing on the ground in a wet cave." — Omaan

> "Somehow it recalls me what Tonto did back in the days. Superbe dub ambient stuff here, or whatever you wanna call it." — Alexandre

> "This song feels like if Depeche Mode had a child and that child wanted to dethrone the titans of the gothic genre - and so he did and here we are." — creepynoodles

> "Outstanding piece of history, glad to have you <3" — Ed Ruskin

> "This album helps me stay optimistic even in the darkest of times! <3" — Ryan

> "I can listen to this album everyday. One of my favorite dreampunk albums by two of my favorite artists in the vaporwave scene." — neon_void

> "Late sixties, at a fair with your friends, age in the single digits. Strange eyes watch from a distance. One of you would never be seen again. Why does this dream keep coming back?" — zenyx64

> "BoC's most popular album before Inferno. A mysterious yet fun album. Some of it's most beautiful melodies are locked away in reverse. Nevertheless it delivers a great experience that remains well produced. It comes across as one of the most modern BoC albums in their whole context." — helpfulbandit

> "track is already a jammer but when 4:12 hits imma break it down" — 1yea1

> "Been looking for this track ever since I heard dBridge play it on the Aptitude Show a while back." — neurokinetik

> "This album captures that gently surprising moment when you find something you weren’t looking for and have that fun “Oh, I thought I lost this!” sorta feeling." — chicken egg: O

> "we start a part stretching too long in the mirror naked tongue & cheek painting w/ light— scattered. everywhere, wires are trembling. gum trees are moving everything collides. nothing separates. door opens, closes, a shared realization. lost in life. to be present: is to vanish. the bea" — magoski

> "I wish I could make music like this." — Matthew 360